The Critical Filmmaker

Oranges and Sunshine is an interesting, compelling film based on the true story of Maragaret Humphries and her response to hearing that millions of British children were shipped out to Australia and used as slave labor. It's a shocking revelation that's very difficult to imagine.  Young children led to believe that their parents were dead and promised a sunnier life in Australia, when in truth their parents were very much alive, believing their child was dead.  Yes, the child was snatched from the parents.  They were not given voluntarily. And that sunny life?  Well, it might be sunny in Australia, but the kids didn't enjoy that life there.  Most were abused and sent to manual labor. The film delves into Margaret's (Emily Watson) battle with the government to bring attention to this issue and to reunite these people with their families.  Now adults, they have deep scars from what happened to them.  Hugo Weaving and David Wenham star as two of the former childre

This was overall an enjoyable film.  It had a sometimes realistic feel to it, and a sometimes comedic, farcical nature to it.  It was difficult at times to tell if they were taking themselves seriously or not, but that didn't bother me as much as you'd think it might.  I guess it's because my day job is in the corporate world, and my company has had its share of lay-offs.  So I found myself connecting to both aspects of this film quite nicely. What impressed me about this film was how they tackled the problem they were facing.  I really liked how they spent all night in meetings discussing the issue and working toward a resolution.  It felt very realistic to me.  For some reason I had expected it to drag over a few days, but it didn't.  The sense of urgency was strong, the attitudes of management was amusing and had a touch of realism to it. Another interesting aspect involved a couple of the characters making accusations along the lines of "I told you about th

Those who read this blog should have a sense right now that this really isn't my kind of film.  I really don't care for crude humor, partly because it's easy and predictable (and not to mention disgusting). Many people compared this film to The Hangover, and while I probably will never see that film, I can find a better comparison.  How about a prolonged Saturday Night Live sketch.  This is what it felt like. Some of the scenes were very familiar to me, having seen several in the TV ads and trailers, while others have been played out before either by the cast of SNL or by another show some 10-20 years before.  It was as if Kristin Wiig took a collection of sketches she wrote involving one character and linked them to this one theme and tossed them into this film.  Or maybe, as suggested by Leonard Maltin, the director just told the cast to improvise and this is what we have. I'm not a fan of Murphy's Law films.  The idea of "whatever can go wrong will for

This Academy Award winning short film is a treat.  Luke Matheny is Ray, a lounge singer who pines for his drummer, Kelly, but she has eyes on his best friend and guitarist, Fozzie. Fozzie is loyal to Ray and won't give Kelly the time of day.  Each night for a year Ray prays to God to have Kelly fall for him. Without giving too much away, Ray recieves what he perceives is an answer to his prayers, but will it work? One thing I loved about this film is that while Fozzie insists he's not interested in Kelly, he knows more about her likes and dislikes than Ray does. And what's with the Amish decorations?  Why Amish? LOL!

When I first heard the title of this film I thought I'll never get it right, but once I heard the reasoning for the names and saw them within the context of the film, it became quite memorable.  This film is also very memorable and the subject matter resonates. Despite dragging in parts, I found the film interesting.  The characters are all rich and provide insight without explanation.  Martha (who is also Marcy May and Marlene) is an escapee from a cult who has to not only adapt to society, but also struggle with the memories of what she thought was a loving, giving environment, while trying to deal with the shaky relationship she has with her estranged sister and brother-in-law. What's interesting about this film is that neither world seems to work for Martha.  Her real family is distant, strict and not compassionate enough for her needs.  Her sister wasn't around much when Martha was a child, so it's easy to see why Martha doesn't feel any love for her.  Howe